Anyone who knows me a little is aware of my love for Swedish schlager music. One of the very few lists on my Spotify that is always available offline is „Mel-Efter-Fest“. I’m a fan and I’m not ashamed to admit that Linda Bengtzing and Björn Skifs raise my spirits any given day.
What’s Scandi-pop and what’s schlager is hard to discern in the Swedish music scene but something that is certain is that Swedish schlager is very different from German schlager when it comes to the musical models, target group and the lyrics. We need to talk about the lyrics.
Recently, I’ve noticed such an abundance of hilarious lyrics, I felt compelled to draw your attention to them. Because if you’re Swedish, you’ve heard them and gladly sung along and probably never thought about how weird they are. If you’re non-Swedish, consider this yet another of my efforts to further the fame of the Swedish music industry. This list is by means complete of course and I’ll gladly accept additional suggestions.
Dvensk’s List of Hilarious Swedish Schlager Lyrics
Let’s start with a recurring theme that’s – surprisingly not love, but (and it’s up to you to draw your own cultural conclusions) money. Or rather the lack thereof seems to be a hot topic in Swedish schlager. GES’ Stanna världen en stund is a true example of vardagsrealism, everyday realism:
„I have thought about getting a dog/ but it’s difficult with my economic situation/But when she calls me and tells me everything will be fine/the world stops for a while“.
Thank God for that girlfriend, I guess.
Magnus Uggla in Kung för en Dag focuses on the daily troubles of Swedes living in a credit-based society:
„If there is something that’s certain, it’s that shit will go down on the 24th [24th: pay day for most Swedes]/I’ll have ten pepper shots, beer, nuts and chips, if you deliver quickly, I’ll give you a big tip/But on Monday, one wakes with indescribable regret and to even be able to pay the rent, one needs to give the stereo equipment into mortgage.“
Lena Ph’s problem is the combination of Swedish consumerism and love. In Han jobbar i affär, she tells us of the shop assistant she fancies:
„He wears such nice shirts, he has such great hair./ I hang out at the store where he works sometimes and I’ve bought everything I can there, my house looks like a shop by now. / It would be much better for my economy if it just was us and my clothes“.
Apparently, creating detailed pictures in the audience’s head is an important factor in Swedish schlager. „Nice shirts, great hair“ is a start but GES portrays the character of the song’s protagonist through an even more detailed account of his habits in Jävel på kärlek
„I’m not good at football/ I have never jumped across hurdles and ditches/
I am not interested in horse racing/ it’s too expensive and who cares who wins/
I don’t own any tools/ I always take the bus when my car breaks down./
When I invite someone over for dinnner there are no happy faces/all the girls I like sit there and suffer/
But there is something I can do/all the other men can’t/
Tricks and feints no one else knows/Come home with me and you’ll see.“
I do believe that this could serve as a poetic Tinder profile text. You’re welcome.
If GES are the kings, Linda Bengtzing is the queen of original descriptions. From illustrating to how well she can live without the man who left her in Jag ljuger så bra:
„I can watch a horror movie and sleep tight without you close next to me/
I can read my newspaper in peace and the bed’s really spacious now/
things could not be better.”
to characterizing the perfect man very thoroughly in E det fel pa mig:
„I found the man with the right physique, the right chemistry/ who can empty the dishwasher/ he can do carpentry and knows how to pick the right wine to food.“
Total keeper, that guy. Of course, her songs don’t fall short of emphasizing her girlfriend qualities, too, which are – well – unusal. In Hur svårt kan det va she delivers this brilliant sales pitch:
”I can be yours, I can be the worst heart attack/
pet your cat, I can do all that and a little more/
here I am, see me, hear me, touch me/how difficult can it be?“
Really, who would not fall for the cat sitter part?
Odd analogies are a success story in Swedish schlager. The legendary band Gyllene Tider, Roxette’s Per Gessle Swedish project, had a hit with comparing the effect of a loved one to that of anti-depressants in Lyckopiller. Expensive ones, mind you, supposedly a callback to the money issues:
„It felt like expensive anti-depressants/when she kissed me on my mouth
It felt like expensive anti-depressants/ when she touched my neck
everything was like before and still everything was changed/
can I stay for a while?“
If that isn’t random enough yet, please be introduced to Björn Skifs’ megahit Michelangelo. (Björn Skifs was part of Blue Swede which had a song that started with Swedish men singing „Ugachaka, ugachaka“, so nothing can fret me there anymore.)
„Michelangelo, can you please pick up the phone/
can you come here and bring your easel and paint my girlfriend?/ […]
If he could show the world how you smile, Mona Lisa would request to be taken down“.
First, didn’t Da Vinci paint the Mona Lisa? Second, what does he even mean calling him on the phone? Third, nevermind, the melody is catchy and the compliment is flattering. (If you don’t consider that Mona Lisa doesn’t actually smile.)
But Swedes are not all about being nice. GES’ songs Hon är min (posessive already in the title, meaning „She is mine“) is full of mean insults to chase away the love rival, including pinning mental illness on him:
„You stand there and stare with your mouth open like a dog/
the way you behave nobody wants to go out with you/
sometimes I think it would be good if a doctor told you to go home/
and take some more pills“.